Now Playing Tracks

Sings-to-Trees was the sort of elf that the other elves find a little embarassing in their dedication to nature. He loved all earth’s creatures, even the stinky and vicious ones. He could wax eloquent about the majestic buzzard, the worthy slime mold, the noble carrion fly. He used every part of the buffalo, including bits that the buffalo might have preferred he throw away. He knew things about compost that compost itself was previously unaware of.

Even he, however, had to admit there was something unloveable—maybe the foul odor, maybe the low IQ, quite possibly the tendency to bite its own head off as a defensive response*—about the festering dodochicken. - Ursula Vernon

                                                            

*Its somewhat novel reasoning was that nothing could possibly hurt it if it took itself out first.

headworld:

biblichor:

marlynnofmany:

headworld:

'The Runner'

This thing has been with me since my childhood.
I guess it’s I’m so used to it now, I forget other can’t see it.

It used to take the form of a big cat, like a Jaguar or panther, but recently it started taking this form.

It’s probably just my change in circumstance that caused my subconscious to change the Runner’s shape.  

(It’s actually a really deep black, but this shows it off better)

….It’s super fluffy now.

By any chance does “Runner” mean “invisible friend who runs alongside the car on road trips”? 

I just learned this is more common than I thought — I’m starting to suspect that most creative souls end up with such a friend, in one way or another. 

(I’m usually accompanied by a shapeshifting, alternate-world version of myself, or the main character from whatever story I’m working on at the time.) 

Either way, your Runner looks really cool!  I’ll bet that tail does some great swishing as it runs.  :)

Dude, you have something that runs alongside your car??? I have been doing that forever.

…now I’m wondering if I’ll be seeing my characters outside of the airplane tomorrow…

Yeah! This thing is my incarnation of ‘the running man’ phenomenon.

It used to just be road-trips, but now I see it everywhere. 

art-of-swords:

Sword Facts & Myths

  • All Medieval swords weighed at least 12 pounds – FALSE

Most Medieval swords weighed around 2.5 lbs - even long hand-and-a-half and two-handed swords weighed less than 4 lbs.

  • Medieval swords were not sharp - FALSE

Some surviving samples of Medieval swords are still sharp - many are razor-sharp.

  • All swords should balance within 2” of the guard - FALSE

A sword’s balance should be determined by its function, not an arbitrary standard. Swords intended for cutting often balance 5 or 6 inches from the guard.

  • Swords were made to cut through armour - FALSE

Period armour was often work- and case-hardened and curved such that it is difficult to hit at a right angle. Late Medieval thrusting swords, even the ones with a reinforced point, were used to thrust into the gaps in armour, not through the plate.

  • Viking swords were heavier than Medieval swords - FALSE

The Viking sword was a very highly developed sword form. Often the blades were quite thin in cross section, and as a result, were often the same or lighter in overall weight than other similarsized swords.

  • There is no such thing as the “perfect” sword - TRUE

There are only “perfect” swords for their intended purpose and the tastes of the owner.

  • A “good” sword should be able to bend past 90 degrees without taking a set - FALSE

Flexibility is only one of the aspects of the steel properties that is important in a sword. Too flexible, and it is inefficient in the thrust and the cut. Too stiff and it is prone to breakage. Most makers are content if a sword will bend to 45 degrees without taking a set.

  • Real swordfights were just like they are in the movies - FALSE

Swordfights in movies are choreographed for entertainment not authenticity. Edge to edge parries and fancy techniques are designed to heighten drama in a scene. An actual swordfight would be short, brutal and much quieter.

  • Japanese swords are the sharpest and best swords ever made - FALSE

Japanese swords have many admirable qualities and were well-suited to their intended use, but they are not necessarily sharper or better than a properly designed and sharpened Medieval sword. 

  • Medieval swordmakers were uneducated barbarians - FALSE

It is apparent from even a cursory study of surviving Medieval swords that blademakers and cutlers were highly skilled artisans with a profound understanding of mathematics and proportion.

  • Not all swords should be as sharp as a razor - TRUE

The sword’s intended purpose is always the guide to use — thrusting swords are not intended for cutting, so some may not even have an edge at all, just a well-defined and reinforced point.

  • Swords were tempered in urine or blood - FALSE

The steels smelted in Medieval Europe required either clean water or oil for quenching. Urine or blood would not allow a blade to temper properly.

  • The “blood groove” is on a sword to release pressure in the wound and allow the sword to come back out - FALSE

"Blood groove" as a term is a recent invention — "fuller" is the proper name for the groove or grooves on a sword blade. The purpose of the fuller has nothing to do with "blood" — fullers reduce weight, assist in the proper distribution of mass in a blade, and help make the blade more stiff.

  • A good sword can cut through a concrete pillar - FALSE

Swords were intended to cut through flesh, clothing, and (in earlier swords) leather or mail armour. They are not intended to cut wood, concrete or metal pillars, even though that is often seen in films.

  • A sword will fall apart if you don’t clean the tang of the sword - FALSE

The tang of a sword, if properly made and the rest of the sword properly maintained, will not require any maintenance for generations of use. 

  • Japanese folded steel is superior to European sword steel - FALSE

Folding steel was a technique used by Japanese smiths to try to get the best steel they could from very poor ore sources. Folded steel blades are more likely than modern monosteels to have large, unseen inclusions of impurities that may in fact critically weaken a blade. By folding the steel billet many, many times, they achieved a more even distribution of carbon and worked most of the impurities out of the steel. The result is stunningly beautiful, but we have to believe that if a 16th C Japanese smith had access to modern monosteels, he would have switched in a heartbeat.

  • Pattern-welded steel is superior to mono-steel - FALSE

Like folding steel, pattern-welding was a technique used to try to get the best steel from very poor ore sources.  Pattern-welding is the art of hammering together, and then twisting and re-hammering layers of iron (often of varying carbon content). The Celts as far back as the 5th century BC may have made swords by pattern-welding, and this technique was used extensively until at least the end of the 10th century.  After this, better, more consistent iron ore was obtainable, and furnace technology improved, making this laborious technique unnecessary. Also like folded steel blades, pattern welded blades are more likely than modern monosteels to have large, unseen inclusions of impurities that may in fact critically weaken a blade.

  • Swords are just big knives - FALSE

The design of a sword is far more complex than a knife. Flexibility  balance and vibration are far more critical in a sword-length blade than in a knife-length blade.

Info source: © 2005 Albion Armorers, Inc.

Photo source: © Royal Armouries
To Tumblr, Love Pixel Union